Tag Archives: music

‘Christmastide’

Christmastide, an anthem by Tom Shelton, sends chills down my spine whenever I hear it. Today I was fortunate to hear Shelton’s Youth Choir render it twice, in a day of beautiful music, first at morning worship, when the Chancel Choir also sang one of my favorites, Bach’s Jesu Joy of Man’s Desiring. They reprised it tonight, along with joyful music from the Chancel and Handbell Choirs, directed by Hyosang Park, in a concert entitled “Rejoice!”

Here is the link to hear Christmastide, from Sunday, December 17 at 10 a.m.

This post is a thank you to the musicians at Princeton United Methodist Church – and to musicians around the globe – who put their hearts and souls into bringing the hopeful strains of Advent and Christmas music into churches and concert halls everywhere. How can anyone not believe in the divinity of our Creator when listening to these harmonies?

So – thank you to these musicians, and as you read their names, you will see that several do double and triple duty. Many of them perform in professional ensembles. But there’s nothing like hearing your own friends make music in your own house of worship. Kudos to Park, who put the program together, as well as to Shelton.

In the Chancel Choir are Mandy Du, Yvonne Macdonald, Joan Nuse, Lori Pantaleo, Françoise Maitre, Karen Hoagland, LaVerna Albury, Jenni Collins, Lindsay Diehl, Stephen Offer, Curt Hillegas, Yannick Ibrahim, and Jim Frisbee. They gave us Handel’s Christ is Born (arranged by Jon Paige) and Shepherds Come Rejoicing by Joseph M. Martin, and Purcell’s Rejoice in the Lord Always.

 In the Youth Choir are Elli Collins, Juli Collins, Maggie Collins, Shermel Morgan, Julia Potts, and Aditi Rapaka. After joining the Chancel Choir for the Purcell, they sang two old world carols and then, with Jenni Collins as soloist, Shelton’s Christmastide.  

The Handbell Choir played News of Great Joy in an arrangement by Arnold Sherman and O How Joyfully, arranged by John Behnke. Ringing were Irene Yu, Diane Peterson, John Macdonald, Yvonne Macdonald,  Joan Nuse, Bob Nuse,  Amy Gardner,  Bill Gardner, Julia Ciccone, Mary Ciccone,  Sarah Betancourt, and  Heather Hansen.

The orchestra closed the program with Handel’s Rejoice Greatly, featuring Bill Gardner on trumpet, along with Elizabeth Rouget, Violin; Myles McKnight, Violin; Paul Manulik, Viola; Gabrielle Hooper, Cello; Scott Collins, Clarinet; Amy Gardner, Clarinet; Bill Gardner, Trumpet; Julia Hanna, Piano. Ian Macdonald and Eric Gillette managed the video stream, available here on this Facebook page. Or on the website.

As Rev. Jenny Smith Walls said, in using the words of Kate Bowler for the benediction, “We have quieted our souls to listen, for your word made flesh is life to us.”  

                       ———————- Barbara Fox

On Christmas Eve at 4 p.m. the Children’s Choir leads a family-friendly candlelight service — and at 8 p.m. a traditional service features the Chancel Choir, Youth Choir, and instrumentalists. All are welcome.

Listening to the Liturgical Year

woodwinds brass and Hyosang and part choir
Hyosang Park directs the combined choirs and a chamber ensemble at PrincetonUMC

In a NYT article, Choral Music is Slow Food for the Soul, composer Nico Muhly has wise observations about how “the choral tradition operated in a series of interlocking cycles based on the liturgical year, with the music and the musicians playing a role in a larger drama.” Rather than expecting applause, church choir singing is  “meant for worship…to be heard in a state of quiet meditation.. to guide the mind out of the building into unseen heights and depths.”

Muhly’s essay is meant to be a paean to Andrew Gant’s book O Sing Unto the Lord: A History of English Church MusicFor me, it’s an affirmation of how — week after week, sitting in a church pew, listening to the Princeton United Methodist Church’s Chancel Choir — opens up my spiritual horizons. I am also inspired by the special music offered during Holy Week.  This year Hyosang Park directs Anton Bruckner’s Requiem on Good Friday, April 14, at 7:30 p.m.,

As Muhly points out, live concerts of liturgical music follow the calendar.  He finds himself “looking forward to a work’s annual visits as I would the arrival of a long-distant friend.”

Other notable choral concerts of the season — the Brahms Requiem by the Voices chorale on April 8, the Princeton Theological Seminary Choir on April 22, the Bulgarian State Women’s Choir on April 17.

Choristers — and attentive listeners — will agree with Muhly, that the liturgical tradition of choral music brings  “sharp pangs of nostalgia, followed by a sense of gratitude that this tradition has been such an important part of my musical world.”

FYI: At Princeton United Methodist Church, the Chancel Choir, directed by Hyosang Park, sings at the 11 a.m. worship service. Tom Shelton directs the Youth Choir (at 9:30 a.m. on first Sundays) and the Children’s Choir (at 9:30 a.m. on second Sundays). The Handbell Choir, directed by Park, plays at both services on third Sundays, and a contemporary ensemble plays at both times on fourth Sundays. Everyone’s welcome to — just listen. 

Just 24 Notes, ‘Taps’ is Hard to Play

Having played “Taps” for more than 40 years, the “Lone Bugler” talks with authority on sounding it. “There are only 24 notes, but it is difficult. ‘Taps’ is an emotion; music is an emotion. It is the only time you are laying someone down for the love of the country.”

Three trumpet players, I am pleased to say, are in the Fox family. My son, George Jr., was the lead trumpet during his time in the Princeton High School Studio Band, and two of his children are on the way to being fine players. I love hearing brass play, whether on the parade field or at church. 

So my heart warmed when I read the paragraph above, part of an article, in this week’s U.S. 1 Newspaper.  Dan Aubrey interviewed First Sergeant U.S. Army Retired Richard Pinter, also known as the Lone Bugler, about what it means to play the trumpet at a military funeral. Click here for a read that befits Memorial Day.