Leaning in for Slaughter and Morris

morris
“The” by Mark Morris, on the McCarter program on April 12

I just registered for the WIBA program featuring Anne Marie Slaughter for (as I write on Monday) for Tuesday, April 12, 5 p.m.. Finally broke down and did it, wasn’t going to (my favorite choreographer Mark Morris is at McCarter that night) but I will just have to leave Greenacres Country Club early. Wasn’t going to go because I have mixed feelings about Slaughter’s opinions on why women can’t have it all as blurted out in the notorious article in The Atlantic. 

Of course women can’t have it all. We pre-Gloria Steinem brides knew that all along.

But I got so confused by the discourse (she said/ She said/ she said/ She said) that I gave up and went on doing what I was doing before, which was trying to have it all and not succeeding.

photo anne-marie-slaughter

So I’m hoping this former Princeton professor turned media guru will enlighten me on her current views about women. (Will she also weigh in, as a former Woodrow Wilson School dean, on the Wilson/name controversy?) . I will have to  leave early to see Mark Morris Dance, but at least I’ll take home a copy of Unfinished Business,  her new book based on the article that caused so much commotion.

As for Morris — Virtually all of Morris’s choreography is to live music, including Whelm to Debussy and The,  a four-hand arrangement of Bach’s first Brandenburg concerto. (There will be one piece to recorded music; the songs of Ivor Cutler. Complete program here.)   I firmly believe the commotion surrounding the excellence about Mark Morris is well deserved.

 

 

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