Category Archives: Dance and the other arts

Three decades of dance: Mary Pat Robertson

mary patAfter 35 years at Princeton Ballet School, Mary Pat Robertson has retired. I’m very sad for the dance community but glad for her to have a less compressed schedule

In a comprehensive article by my colleague Anne Levin at Town Topics, Robertson says — and I know this to be true about her — that she loves coaching young dancers and mentions two of her former students among the many. Kraig Patterson  (formerly with Mark Morris) and Unity Phelan, Phelan, whose father is entrepreneur John Phelan, was named in a March 1 essay on rising stars at City Ballet by New York Times critic Alastair Macauley. I saw Phelan teach a master class at PBS and was captivated by her energy and fascinated by her feet. More on that at another time.

Meanwhile I hark back to what was, for me, the heyday of modern dance in Central Jersey, the early ’80s, when Robertson launched an innovative company, Teamwork Dance. Teamwork concerts were never dull, The late Geulah Abrahams and Michelle Mathesius  had their own companies — and even Mark Morris performed at Trenton’s Mill Hill Playhouse. Grant money was available and — surprise! — just a little bit of dough encouraged a lot of dance.

One of Teamwork’s principals, Janell Byrne, also danced with Abrahams and has had her own company for three decades at Mercer County Community College’s Kelsey Theatre. Her choreography is on the program this weekend at Rider University, which is now the center for innovative dance. “Transforming and manipulating a scenic element…..” sounds intriguing!

 

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Saturday: Sakata — African Dance

 

africanDoroBucci, Princeton’s premier African dance group sponsors a competition, 2/27 from 7 to 10 p.m. at the Carl A. Fields Center. It features 8 schools: UMD, Towson, Yale, UPenn, Rutgers, Columbia, Albany, and Syracuse.There will be 9 African dance groups: Afrochique Dance Academy, Les Belles Noires, Les Hommes D’Afrique, Dzana, West African Vibe (WAVe), Twese Dance Troupe, ljoya, UMOJA, and OneWorld.

100 DANCERS!!!! All competing for a chance to win $500 and the title of best African dance group. Join DoroBucci on their quest to spread a love for African dance.Tickets for $10 are at the Frist ticket booth.

Loss, danced

louisdanceMurray Louis — one of my favorite choreographers — died yesterday, February 1, age 89. Jack Anderson, long time dance critic for the New York Times, wrote the obituary, with this poignant description of a dance will resonate with many who have lost life companions — or who dread losing them.  (Stephen Ministers, take note…) To quote: 

One of Mr. Louis’s most memorable and moving works was created in 1994 as a memorial to Mr. Nikolais, his longtime collaborator and companion,who had died the previous year at 82. Mr. Louis titled it “Alone.”

In the piece, Mr. Louis never moved far from one spot, making the empty stage around him seem like a vast void. He kept turning from side to side, as if expecting someone to enter, but no one was ever there. Nor was there anyone to touch when he spread his arms wide.

From time to time, as he danced to recorded music by Astor Piazzolla, he clenched his fists, then bent over and drummed them quietly on the floor. Yet he always preserved his decorum and never exploded into rage or grief. Ending the solo, he slumped in dejection.

Deep Listening: Alicia Diaz

Alicia Diaz_Deep Listening_Pregones_2015_Photo Credit Hiroyuki Ito
Agua Dulce Dance Theater presents “Deep Listening” at Pregones Theater in Bronx, New York on Saturday night, October 10, 2015. Credit: Hiroyuki Ito

Alicia will be improvising in a Movement Research night at the Judson Church in New York City with percussionist Hector “Coco” Barez. Enjoy this video of their previous collaboration! It’s called “Deep Listening.

Where & When

Monday February 8 at 8pm
Free, doors open at 7:45pm

Location: Judson Memorial Church
55 Washington Square South

Diaz grew up in Princeton and is assistant professor of dance at the University of Richmond. 

Children’s giggles like sparrows in a tree

All over McCarter Theatre tonight, little children were giggling and erupting with laughter at the antics of the Mummenschanz troupe. It took me back to 1981, when I brought my middle school daughter and her friends to see these Swiss masquers/mimes, and that performance set them on a path to using fabric to create imaginative dance.

Immediately, right away, the smallest kids “got it” as abstract shapes played a giant game of peekaboo, or sparred, or nuzzled each other. That the troupe performs in silence, improvising their timing to the moment of the mood, seemed to inspire vocal contributions from adults and children alike. With the possible exception of Sweet Honey and the Rock, I have never heard a more responsive McCarter audience. Their laughter bubbled up all over the theater, like a host of sparrows in a tree.

It reminded me once again of how Jesus was quoted (Matthew 18:3) as saying that — to enter the kingdom of heaven, you have to become like a little child. These children were so privileged to have their imaginations set on fire, and it was my privilege to be in the audience to hear them.

In the moment: Jane Buttars

 

jane buttars

I just discovered these You Tube renditions of Jane Buttars improvising at the keyboard. They are just too delightful not to share, and I couldn’t choose among them, so here goes:

Here she is, live and jaunty. She’ll never play this exact way again because it’s improvised, but we can all hear it here.

Here she takes us on a journey to the east.  Perhaps my favorite.

In 2014 she did a duo in a quite different mode.

Last year she and Grammy-winning cellist David Darling issued a CD, Tympanum, and here is one of the meditative pieces, Awakening. I must get that CD out and begin enjoying it again. Her latest CD, pictured here is titled “Keys to the Inside.”

Jane works with the international association Music for People. Her Princeton -based studio offers monthly improv sessions to the general public, titled “Music from the Inside.” For information, janepiano2@comcast.net

Jane — you are helping me bring the new year in the right way, “in the moment.”

 

Got buttons? this could be for you

Bennett O'Donnell Castree

The New Jersey State Button Society (NJSBS) will celebrate the start of its 75th anniversary year with a free program, “The Button Sampler,” on Saturday, January 9, at 2 p.m. at the Lawrence headquarters of the Mercer County Library System, 2751 Brunswick Pike. If you are curious about buttons you own and want to attend, call the library at  609-989-6920, email me, or email lawprogs@mcl.org — or just show up. A similar program will be Saturday, March 19.

The program honors the book “The Button Sampler,” co-written by the late Lillian Smith Albert. A Hightstown resident, she founded the NJSBS in 1941, when interest in button collecting began to surge. Through her research and study Albert helped to make button collecting the important hobby which it is today. The members of the state society share an interest in studying, collecting, and preserving clothing buttons, both old and new.

To share their enthusiasm and knowledge, my fellow NJSBS members will tell about favorite buttons and offer help to new collectors. Bring up to a dozen clothing buttons and learn about buttons made from a selection of the dozens of different materials, including black and colored glass, china, plastic, metal, shell, and wood.

There will be another button meeting during National Button Week, on Saturday, March 19, at 2 p.m., so mark your calendars. And the NJSBS will celebrate its Diamond Anniversary at its Show and Competition on Saturday, May 7,  9 a.m. to 4 p.m. at the Union Fire Company, 1396 River Road (Route 29), Titusville, NJ.

 

Mel Leipzig and Leon Rainbow: for Trenton Kids

 

One of my favorite people, celebrated realist painter Mel Leipzig, will give a gallery talk at Princeton Shopping Center where two of his paintings on display including the one above (Gregory at Gallery Henoch, photo by Tasha O’Neill). The talk will be Monday, December 14, 5:30 to 7 p.m. at the Princeton Shopping Center on North Harrison Street. He will be joined by Leon Rainbow, a graffiti artist who — I believe — has one foot in the corporate world as a web designer, his work below.

These paintings  are part of an exhibit “Art for Read to Achieve,” hosted by the Center for Child and Family Achievement, which has come up with an efficient way to really improve education for children in Trenton. It’s worthy of support.

Faith Ringgold one of the other featured artists and other names you’ll recognize are Alonzo Adams, Romare Bearden, Judith Brodsky, Elizabeth Catlett, Aminah Robinson, Lucy Graves McVicker, Sydney T. Neuwirth and Thomas Malloy. There is a range of prices.

It’s an exciting exhibit, to see all these artists together. The exhibit and sale. cosponsored by the Arts Council of Princeton, runs till December 22, open daily except Mondays (and events like this one).Mel will be a superb lecturer/teacher on December 14.

 

“See No Evil, Hear No Evil, Speak No Evil” by Leon Rainbow

Credit: Tasha O’Neill

2015 12 Rainbow

TuesdayThursday 11 am – 7 pm

Friday 1pm -8 pm

Sat – Sun 1pm – 5 pm

 

 

5.

Book review: Ci is for Cireelia: by Arthur Areyan

book cover arthur portrait

Ci is for Cireelia: Book One: The Journey Yet Unknown

In this evocative young adult ebook, by Arthur Areyan, a Princeton-area writer, the young narrator Tim rescues himself from sadistic parental abuse by meditating and evoking his imagination. It’s as if he knew Carl Sagan’s quote, Imagination will often carry us to worlds that never were. But without it we go nowhere.

Descriptions of physical abuse are hard to read: “He said it hurt him as much as it hurt me – in a sadistic, devoid of all feelings tone of voice as he coiled the belt. That same crooked smile..”

The boy’s emotions are trampled:  “How many times I wish I could disappear – become invisible and leave without being nudged, looked at with disgust or pricked with a vile word or name.”

Yet Areyan writes like an old-fashioned poet, and his evocative images can be soothing: “Those were the longest two-and-a-half months when a day lasted as long as two stitched together with burlap threads of missing and longing.”

Early on, the narrative offers hope. Tim searches for answers and tries to believe in himself. “I know it’ll be all right. Don’t ask me how I know it. I just do.. . . You know the times when you are most lonely, and you reach out or more like broadcast your thoughts and deep feelings – then, all of the sudden, you feel the presence that in thoughts reassures you that it will be alright.”

The abusive incidents lasted too long, but it was hard to put down. I read this on my cell phone, paging through quickly, eager to find out how Tim would survive from the next horrible thing that was going to happen to him.

Here’s a glimmer of what Tim is able to do: “Reading unleashes my imagination, and imagination removes the boundaries of the physical…Then setting my sight onto a bright planet I fold the distance with my own neuro-ionic mind drive. I practice this fine art of day dreaming a lot more than it’s OK with my teachers and just about everyone else.”

Then (spoiler alert) the abuse gets so bad that the authorities step in to protect him from his parents — but not from the scientists, who get an inkling of Tim’s amazing talents.

The scientist will use Tim for a dangerous experiment. At first the scientist “can’t live with an idea of sacrificing an eleven-year old for a set of data, no matter how ground-breaking it promises to be.” But then, “The more he thought about Tim the more his conscious was finding ways to justify an extensive research and the fainter the voice of righteousness was becoming. To have a chance to understand what was happening inside this boy’s incredible mind is an opportunity he will not miss for anything.”

The plot may be hard to believe —  not just from the science fiction standpoint but also from the “why would a person be like this” standpoint. The mother is pictured as too busy in her career to interfere with the sadistic abuse that her second husband inflicts on Tim. I couldn’t imagine such a mother, but perhaps this aberrant personality was needed for the plot. Caring adults came on the scene later. But it was a page turner of an adventure, an evocative journey that satisfied one’s sense of “right,” and it left me eager to find out what happens to Tim in Book 2.

Disclosure: I first knew Areyan as an IT Professional, co-founder of Fast PC Support. For biographical insight, here is an interview with Areyan that tells about his focus of meditation and his second avocation, art — oil painting and photography.  Here is the ebook listing on Amazon.  I recommend it.

Orcas and Egoists

Who knew Scott McVay was an Orca expert? I thought of him only as a grant-giver with the Geraldine R. Dodge Foundation. His work as a marine expert was one of several surprises in the fall issue of Genesis, now online on the site of  U.S. 1 Newspaper, which excerpted part of McVay’s memoir, Surprise Encounters.  The launch party will be Wednesday, October 14, at 6 p.m. at Labyrinth Bookstore, click here for background. 

Another surprise — the so-healthy ego of mathematician John Conway, described as “archly roguish with a gawky, geeky magnetism” by Siobhan Roberts in the  biography Genius at Play,  excerpted here in U.S. 1’s Genesis. She quotes Conway:
“As I often say, modesty is my only vice. If I weren’t so modest, I’d be perfect.*
Everyone who knows him knows it. Most everyone loves him nonetheless. Conway’s is a jocund and playful egomania, sweetened by self-deprecating charm. Based at Princeton University, though having made his name and found fame at Cambridge, he claims never to have worked a day in his life. 

Both excerpts left me wanting more.