“Putting the blame on the individual suggests that racism can be overcome by education alone,” said Taylor. She is quoted in the article as reminding us that throughout history racism has been used as a way for the powerful to control others for material gain — and it is still used that way.
Thirty thousand grand will be on the line on Wednesday, February 15, at the Innovation Forum organized by Princeton University’s Keller Center. Participants present their research in a three-minute “elevator pitch” to the audience and a panel of judges. Simon Cowell’s got nothing on this show!
Register to come and watch the excitement. You get to see inside the Andlinger Center and there’s networking and refreshments afterward.
I’m not among those who think Princeton University should pay more taxes. The University is the reason my house is worth more than a house three miles away. The University is a big part of the reason I moved here.
Here is the report citing the dollar value of the university. It was put together by a New York-based consulting firm, Appleseed. Yes, the university paid for it. But that doesn’t make it untrue.
“I am inspired by lessons from the Caribbean that underscore creativity, resilience and the capacity for both resistance and celebration in the midst of difficulty,” says Alicia Diaz, a professional dancer who grew up in Princeton. She will participate in an unusual lecture demonstration this Friday afternoon at Princeton University. Entitled “Diasporic Body Grammar: an encounter of movements and words,” it will be December 2, 2 to 5:30 p.m. in the Wilson College Black Box Theater.
Asked, in an interview, whether she struggles with stereotypes, Diaz brought forward the stereotype of the “sassy Latina.” “Here ethnicity, gender, and sexuality come together to be consumed and dismissed at the same time. I struggle with rejecting the stereotype and its negative implications while also acknowledging and owning its potential power.”
A quick way to cure a hangover, a new medical imaging technique, an innovation in American Sign Language, a hackathon tool kit, a robot sous chef, and a fashion discovery engine — some of the best and brightest Princeton undergraduates are launching exciting startups. List here.
They’ve been working all summer in the Keller Lab, and their Demo Day in Princeton is Tuesday, August 9, 2:30 p.m. at the Friend Center. You need to register!
I can’t attend. If anyone who reads this can go, and wants to write it up for this blog, I’d welcome that. If you don’t have my email, put in the comments that you’d be willing to be a guest blogger.
Have you forgotten about, or have your ever even seen, the giant sculpture jewel of Princeton’s campus, the Richard Serra sculpture? Two New York Times articles in the past two days made me want to go back and ‘walk’ the tunnel again. On May 12 Ken Johnson dubbed Serra the “greatest living sculptor of Minimalist abstraction” and suggested that to view Serra’s work currently at the Gagosian Gallery was “an engulfing experience…Moving through the construction, you become acutely attuned to sight, touch and sound and to your own being in time and space. Consciousness itself becomes an object of consciousness.” Today’s article on San Francisco’s MoMA features a Jason Henry photo (above) of the Serra sculpture at the museum’s entrance.
Serra’s 2010 sculpture, behind the Lewis Library (my photo above), is known as “The Fox and the Hedgehog.” As described on the campus web page,Industrial yet sensual, this massive sculpture invites visitors to walk through its steel curves in order to experience art, space, and environment in a physical way. The title, taken from an Isaiah Berlin essay on Tolstoy, quotes the Greek poet Archilochus: “The fox knows many things, but the hedgehog knows one great thing.” Serra extends this proposition as a question to students—will you be a fox or a hedgehog?
I am not a minimalist. Anyone who has been in my house knows that. But I like to feast my eyes on uncluttered space and put my body between the comforting metal walls of the Serra sculpture. If you haven’t tried it — do, and you can decide if you want to be the Fox or the Hedgehog. For me, that decision has already been made.
Puerto Rican Soundscapes
“Watching the collaborative performance of dance artist Alicia Diaz and percussionist ‘Coco,’ is an exhilirating experience,” writes Ze’eva Cohen, professor emerita in dance at Princeton University. “Rarely do we witness two accomplished, classically trained artists delving into their cultural roots and identity by way of improvisation.”
Diaz, who grew up in Princeton, presents a performative lecture in the conference “Exploring Puerto Rican Heritage Stateside through Roots, Jazz, and Classical Music” on Saturday, May 14, 9 a.m. to 1 p.m. Her part, scheduled to begin at noon, is titled Improvising Identity: Bomba as a Point of Reference Between a Contemporary Dance Artist and a Percussionist in the Colloquium: Música in the United States: Puerto Rican Roots – Jazz – Classical Music. It will be in the Ida K. Lang Recital Hall, North Building, Hunter College. Free Registration for the Colloquium. For updated information http://www.centropr.hunter.cuny.edu or call 212-396-6545.
“It is captivating,” writes Cohen, “to be taken along their journey as they deeply ‘listen’ to each other and connect with issues of roots and identity via physical and mental symbiosis, beyond what is familiar and known. They take their found material and develop it through the improvisation to a layered, rich, and authentic performance that seems and feels fully formed.”